Senin, 20 Mei 2013

[P205.Ebook] PDF Ebook Shakugan no Shana: The Girl With Fire in Her Eyes (Light novel), by Yashichiro Takahashi

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Invaders from the Crimson Realm have come to Earth looking for something called the Power of Existence. Whoever possesses this profound power will control the very quintessence of reality. To the rescue comes an enigmatic young girl with fire in her eyes. She may be cute and petite, but she's endowed with enough preternatural strength to save the entire universe. Plus, she's got a really big sword!.

  • Sales Rank: #1275469 in Books
  • Brand: Brand: VIZ Media LLC
  • Published on: 2007-04-17
  • Released on: 2007-04-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.50" h x .70" w x 5.00" l, .53 pounds
  • Binding: Paperback
  • 200 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

6 of 7 people found the following review helpful.
This is actually volume 2
By Thomas Kenney
I'm writing this mostly because I accidentally bought Volume 2 (Fight Day) before buying Volume 1 (The Girl With Fire in Her Eyes). So please be careful when purchasing as neither Amazon nor the books themselves are very clear about volume numbers.

As for the book itself, Volume 2 introduces a new Flame Haze and starts hinting at more of a underlying plot. The main characters relationships also gets developed deeper. The fight scenes are decently written and lots of stuff gets blown up which should happen in any action series.

I really hope that we see more of the light novels make their way over here as so far the two are not enough.

14 of 15 people found the following review helpful.
Shana Light Novel (Not Manga)
By Hongster
This is not the manga for Shakugan no Shana, rather it is the light novel that was released in Japan and where the anime is based off. For anyone who watched the first shana anime series this will definitely feel like it's the exact same thing, but there are differences with this story and the anime (minor differences). Unto the review!

Note:
For those who are not aware this is a novel, it is entirely different from a manga (comic book in the U.S). This novel has very few pictures.

Pro:
The text is easy to read and not too difficult to understand (though there are some words that young adult readers might not know). The story is easy to understand as well, however, those who have read manga prior will have a bit easier time to digest the material as there are some reference to Japanese culture that you will need to either understand or look up on your own. The story focuses on life, school life, relationships and saving the world. Each element is represented fairly throughout the novel and the character development is one of it's strong points. While reading, you understand who Yuji Sakai is and the struggles he is facing; you get a feeling of how Shana feels towards Yuji and her Crimson guardian Alastor.

Con:
First of all, I deducted a star for this reason only, the novel cover and paper is not very good quality. I own the first 2 volumes and I have to say volume 2 uses a superior cover and better paper quality than the first (I don't understand why Viz used this quality for their first volume, maybe that's why the 2nd volume was changed and for the better).
Other than that, I would have to say one thing about the novel that is lacking, it doesn't reveal anything about Shana and who she is other than the fact that she is a flame haze, that is about the only complaint about the novel.

Conclusion:
If you have already seen the anime and would like to know where the anime got the ideas from, than this novel is the perfect resource for you. Those who have read manga and want to try something different, than this is for you as well. Those who are looking to read casually will find this book to be fairly easy to read and understand but as I mentioned earlier you will need to research some Japanese culture as you will run across to several while reading this. Recommended age is 12+ as some words may be too difficult to understand for readers under 12.

5 of 5 people found the following review helpful.
Shana Light Novel Vol 2
By Hongster
First this is not a manga, rather this is a novel. Those who are confused a manga is equivalent to a comic in the U.S whereas a light novel has very few pictures. Well unto the review!

For those who watched the anime this novel will be very similar to you since the anime got the idea from the light novel. In this volume Yuji and Shana are getting familiar with each other as Shana trains Yuji to fight against other Tomagaras. Without spoiling too much this volume covers the bond between Yuji and Shana and how they must work together to defeat those who are after the Reiji Maigo and destruction of human life (torches).

Overall this volume is a step up from the last. I also liked how Viz changed the overall look and feel of the novel by replacing the bad cover and washed out paper with a proper cover and clean paper. A definite must for those who have read volume 1 or those who have seen the anime.

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Rabu, 15 Mei 2013

[J590.Ebook] Ebook Download La Noche del Valiente (Reyes y Hechiceros-Libro 6) (Spanish Edition), by Morgan Rice

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--The Wanderer, A Literary Journal (sobre El Despertar de los Dragones)

En LA NOCHE DEL VALIENTE, Kyra debe encontrar una manera de escapar de Marda y regresar a Escalon con el Bastón de la Verdad. Si lo logra, le espera la batalla más épica de toda su vida al enfrentarse a los ejércitos de Ra, a la nación de troles, y a la manada de dragones. Si sus poderes y su arma son lo suficientemente fuertes, su madre la esperará para revelarle los secretos de su destino y de su nacimiento.

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--Books and Movie Reviews, Roberto Mattos (sobre El Despertar de los Dragones)

  • Sales Rank: #89361 in eBooks
  • Published on: 2016-06-28
  • Released on: 2016-06-28
  • Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
El primero y segundo libro me gusto, los otros ...
By Amazon Customer
El primero y segundo libro me gusto, los otros tienen muy poca variación en el lenguaje, parecería estar repitiendo, sobre todo las guerras.

0 of 0 people found the following review helpful.
Excelente, me tuvo entretenido de principio a fin, interesante dramatico y muy emotivo, Recomendable ciento por ciento
By Sergio Perez
Excelente, me tivo entretenido de princio a fin , muy recomendable ciento por ciento , dramatico y muy emotivo para todo

0 of 0 people found the following review helpful.
Five Stars
By MARIA DEL CARMEN MACIEL
me encanto, es una saga hermosa

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Selasa, 14 Mei 2013

[A175.Ebook] Ebook Zen in the Markets, by Edwards Allen Toppel

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Zen in the Markets, by Edwards Allen Toppel

A veteran trader takes a Zen approach to the stock market, applying fundamental principles of Zen Buddhism in place of traditional economic thought and encouraging investors to put egos aside and listen to the marketplace in a tested method for success.

  • Sales Rank: #198005 in Books
  • Published on: 1992-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .73" h x 5.82" w x 8.56" l,
  • Binding: Hardcover
  • 97 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Best Trading "Psychology" book of ALL TIME...
By QCD
I had to read this book SEVERAL times before I "got it." When I finally did, my reaction was, "That's It?!?!" The answer is SO SIMPLE. The implementation may be difficult for you but the ANSWER itself is quite SIMPLE...

This is probably the best book on the REQUIRED psychology for trading that I have ever read. If you don't like it, it may be "too simple" for you and the messaged may go over your head as "unimportant." Read it again. Think about EVERY paragraph. "Am I doing that?" "Do I feel that way?" "Is this true for me yet?"

2 of 2 people found the following review helpful.
Worth the read
By Jack
This book won't provide nitty-gritty tips, but will give the reader plenty to think about when it comes to their own trading. Definitely worth reading. In fact, I printed out the following advice from the book just to keep reminding myself of the simple truths of trading: Never add to a loser; add to a winner only; let profits run; cut losses fast; don't pick tops; don't pick bottoms; go with the trend. Yes, these are basic things, but as the book points out, it's important to review the basics every once in a while to keep from straying off the correct path.

14 of 14 people found the following review helpful.
It is the all-time 2nd best book for daytraders.
By Jeff
I train daytraders for a living, I make them read 2 books before they start: 'Reminiscences of a Stock Operator' and this book 'Zen in the Markets.' I quote it almost daily when instructing traders - Trade what you see, not what you think. It is a very quick read.

It is NOT for long-term stock investors, anyone reading it for those purposes will be disappointed and give it a negative review about how it downplays fundamentals, charts, technical patterns, and such. Short-term (like 1-2 minute in a trade) daytraders and pit traders are the ones who swear by this book, as I do. I traded on the floor of the exchange and still make my living in the quick in-and-out daytrading world, and for people like me this book is a must have.

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Senin, 06 Mei 2013

[F643.Ebook] Download Science Fiction Age (Jack Williamson: Alien Future, Michael Bishop: Star Souls, Killer Robots

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Science Fiction Age (Jack Williamson: Alien Future, Michael Bishop: Star Souls, Killer Robots

Science Fiction Age [v4 #5, July 1996] ed. Scott Edelman (Sovereign Media Co., Inc.; Herndon, VA, $3.95, 100pp, quarto, cover by John Berkey) 6 · Editorial · Scott Edelman · ed 8 · Letters · The Readers · lt 10 · Books · Various Hands · br 18 · Alternative Media · Misc. · ms 24 · Movies · Dan Perez · mr 28 · Science · Doug Beason & Geoffrey A. Landis, Jr. · ar 36 · The Procedure · Michael Bishop · ss 43 · The Saddle Point Sequence [Saddlepoint] · Stephen Baxter · gp; Gaijin, ss; Saddle Point, ss; Fusion Summer, ss 60 · Virtual Kaballah · Phillip C. Jennings · ss 66 · The Death of a Star · Jack Williamson · ss 72 · 334 Manchester Lane · Robert Reed · ss Gallery: ___ 78 · SF Movie Poster Magic · Bob Stephens & Vincent Di Fate · pi 84 · Just a Couple of Pastrami Sandwiches in a Living Room the Size of Infinity [Vossoff and Nimmitz] · Adam-Troy Castro · ss 90 · Games · Don D'Ammassa · gr 98 · Contributors · Misc. · bg

  • Sales Rank: #11437549 in Books
  • Published on: 1996
  • Binding: Paperback

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Jumat, 03 Mei 2013

[L703.Ebook] Download Ebook God and Man at Yale: The Superstitions of Academic Freedom, by William F. Buckley

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God and Man at Yale: The Superstitions of Academic Freedom, by William F. Buckley

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God and Man at Yale: The Superstitions of Academic Freedom, by William F. Buckley

This is the book that launched William F. Buckley, Jr.'s career. As a young, recent Yale graduate, he took on Yale's professional and administrative staffs, citing their hypocritical diversion from the tenets on which the institution was built. Yale was founded on the belief that God exists, and thus that virtue and individualism represent immutable cornerstones of education. However, when Buckley wrote this scathing expose, the institution had made an about face: Yale was expounding collectivism and agnosticism. This classic work shows Buckley as he was and is: dauntless, venturesome, bold, and valiant.

  • Sales Rank: #60226 in Audible
  • Published on: 2006-12-18
  • Format: Unabridged
  • Original language: English
  • Running time: 404 minutes

Most helpful customer reviews

0 of 0 people found the following review helpful.
High praise for William F. Buckley, Jr. ~ again.
By David R. Elkins
William F. Buckley introduced to our Republic the undermining of the nation’s higher education via an unfortunate and relentless liberal agenda within academia. This Buckley classic reveals a disease that had infected most universities by the end of World War II ~ atheism and socialism. This book is an easy read and is a remarkable cultural achievement by the then 25 year old Buckley.

The forgotten subtitle of Buckley's book "academic freedom is a superstition" in America was correct and has been since the late 1890's when religious associations with their founding Christian churches were severed. The antecedents to both atheism and socialism within higher academia by 1900 were cast aside in the name of academic freedom of expression and progressiveness. Yale long ago lost the traditional values that placed it, at one time, among the nation’s elite.

Buckley pointed insight still rings true; "Freedom breeds inequality. Unless you have freedom to be unequal, there is no such thing as freedom."

There was no academic freedom at Yale in 1951 (or as early as the late 1890's) and there is certainly no freedom there now. If anything, this malignancy of academic bigotry (which Buckley so eloquently describes) has metastasized to the point that certain death awaits any Man who seeks God within the halls of Yale University.

God and Man at Yale: The Superstitions of 'Academic Freedom'

0 of 0 people found the following review helpful.
No wonder the leaders of Yale hated Buckley's book
By James N. L. Humphreys
Buckley is humorous while exposing the anti-Christian bigotry of the "sophisticated," "open-minded," and "tolerant" Left. No wonder the leaders of Yale hated Buckley's book. They prefer that parents and contributors send in their money without any pesky questions about what Yale was teaching.

4 of 5 people found the following review helpful.
Recommended, with reservations
By A. Xu
God and Man at Yale is not a literary must-read, but it ranks among the classics of political and journalistic writing. The ideas presented are narrow in scope (as they should be), focusing exclusively on Yale, and the solutions presented by a 25-year-old Buckley are implausible (alumni do not hold any sway on the university). Gamay is the fascinating introduction of a budding writer whose career would be made on impulsive ideas, quick wit, and idiosyncratic writing style. Buyers considering this book should expect a dry read except for the introduction by Bramwell and foreword written by Buckley for the anniversary edition.

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Kamis, 02 Mei 2013

[C976.Ebook] Get Free Ebook Caravaggio: A Life, by Helen Langdon

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Caravaggio: A Life, by Helen Langdon

A powerful and illuminating biography-the first in English in two generations-of one of the most popular painters of all time.

Of all the great Italian painters, the seventeenth-century master Caravaggio speaks most clearly and powerfully to our time. His early paintings of cardsharps, musicians, and street vendors convey his fascination with the Roman demimonde; his stark and brilliant religious paintings convey the world of the poor and the outcast and the religious experience of the individual with a directness our age can recognize.

Caravaggio lived hard and died young, having fled Rome for Sicily, apparently after murdering another man in a dispute; his life is one of the most colorful of any artist's. In this vivid and beautifully written biography, Helen Langdon tells the story of the great painter's life and times in a way that leaves the reader with a renewed appreciation of his art.

Caravaggio painted a fairly small number of works, many of them for settings in Rome, Naples, and Sicily, where they remain today; and he painted directly from human models. So the story of his life and times reveals Italian society of the period-involving powerful patrons, sybaritic cardinals, and saints, as well as street boys, prostitutes, and rivalrous painters.

Langdon has spent a lifetime studying Caravaggio; this biography, the first in English in two generations, shows us Caravaggio's genius with the striking clarity of his own paintings.

  • Sales Rank: #1301034 in Books
  • Published on: 1999-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 6.50" w x 1.50" l,
  • Binding: Hardcover
  • 436 pages

Amazon.com Review
Seventeenth-century painter Nicolas Poussin once said that Caravaggio came into the world to destroy painting. Helen Langdon's marvelous biography suggests that rather than destroying painting, the Milanese artist gave it a new lease on life. Upon his arrival in Rome, Caravaggio ended a tradition of Italian Renaissance painting with his radically new naturalistic style, which continues to dazzle and influence viewers today. Beautifully poised between biographical scholarship and artistic appreciation, Langdon's book provides the reader with a complex, fascinating portrait of Caravaggio, still the rebel and outsider of the popular imagination, but also immersed in the Roman world of art, politics, and patronage. Some of the finest sections of the book vividly evoke the streets and brothels of early 17th-century Rome, which provided Caravaggio with the inspiration for many of his early works. By contrast, the later sections--which deal with Caravaggio's exile and commissions in Naples, Malta, and Sicily--seem rather brief and truncated, giving the final third of the book a rather unbalanced feel. This is, however, partly due to the elusiveness of Caravaggio himself--with little direct contemporary documentation on the painter, he often slips into the shadows, evading the scrutiny of even the most persistent biographer.

Langdon's achievement here is to produce a compelling portrait of the artist that throws new light on his paintings. Here is a painter who was proud, difficult, and arrogant, yet highly intellectual in his appreciation of the changing face of both Catholicism and scientific enquiry. Written with great historical clarity, and supplemented by 42 magnificent color illustrations, Helen Langdon's Caravaggio is a worthy contribution to scholarly study of this artist. --Jerry Brotton

From Publishers Weekly
At once more scholarly and less polemical than Desmond Seward's 1998 Caravaggio: A Passionate Life, Langdon's study of the Renaissance painter conveys a picture of Michelangelo da Caravaggio (1573-1610) as an artist amid rivals and intrigues without losing sight of his work and its significance. Not that Langdon downplays the juicy bits: she offers documented details on the scandals and rivalries, but does so without sensationalism or dependence on conjecture. While Seward railed against homoerotic interpretations of Caravaggio's works, and seemed particularly hostile to Derek Jarman's highly speculative 1987 film, Caravaggio, Langdon is unfailingly even-handed. In keeping with her focus on Caravaggio the artist (as opposed to Seward's man of faith), Langdon presents the relationship with Cardinal Francesco del Monte, for whom he served as artist-in-residence, in terms of career significance rather than personal relationships. Through del Monte, Caravaggio made contacts with church officials and patrons, and also with other painters, many of whom became rivals or detractors. The last section of the book is a balanced account of Caravaggio's induction into the Catholic order of the Knights of Malta (an honor seemingly requiring him to have lied about his family's lineage), his imprisonment in a Maltese dungeon for dueling with a Knight of higher rank and his legendary escape. Without downplaying Caravaggio's personal oddity and violent tendencies, Langdon approaches her subject with a sympathetic yet almost clinical eye. She scours the archives, examining police documents and bringing court records to light. In the end, she produces a finished view of an artist who helped redefine realism in art, even as his increasingly humbling depictions of people alienated him from painters and patrons, and fed his public image as a scoundrel and madman. 56 b&w illustrations, 42 color plates. (June)
Copyright 1999 Reed Business Information, Inc.

From Library Journal
British scholar Langdon's masterly achievement is to integrate Caravaggio's art and life in a convincing and vividly delineated re-creation of his world. The themes of artistic patronage and practice, politics, religion, and criminality are effectively woven together to illumine the artist's work and behavior. Not only has Langdon synthesized an unprecedented amount of material to evoke the world within which Caravaggio labored but she has simultaneously created a freshened and deepened appreciation of his paintings. While occasionally venturing a bit far afield in the pursuit of a more fully rounded picture of his social milieu, she never fails the works themselves. Even readers already immersed in Caravaggio scholarship cannot fail to savor this brilliant conjunction of the formal and iconographic with the contextual, intellectual, spiritual, and social preoccupations of the moment. No previous English language work has so compellingly situated this artist in the ethos of his epoch. Art collections beyond the elementary level will need to acquire this informed, insightful, and eloquent opus.ARobert Cahn, Fashion Inst. of Technology, New York
Copyright 1999 Reed Business Information, Inc.

Most helpful customer reviews

44 of 45 people found the following review helpful.
As clear a portrait as we can hope for, currently...
By Stopheles
Langdon's research payed off in this beautiful look at one of the Late Renaissance's most powerful (and mysterious, and notorious) painters. Sadly, most of what we know of Michelangelo Caravaggio's life is through second-hand sources -- police records and such -- but Langdon seems to have pored through every bit of esoterica related to the painter's relation to his time, his culture, and his peers. What we get for her troubles is a portrait of a man whose devotion to religion was so strong that he would do anything -- including lying about his lineage -- to maintain a secure place as a "defender of the faith."
Sadly, the one-star review on this page has a point: many of Langdon's statements are qualified with "perhaps", "almost certainly," etc. This, however, is one of the prices we pay for any attempt to pin down an elusive person who lived on the fringes of a society which passed four hundred years ago. I much preferred this reading to, for example, Desmond Seward's CARAVAGGIO of the same year, in which the author ranted against any recent interpretations of homoeroticism in Caravaggio's sensual paintings, and even against the concept of Caravaggio -- a notoriously violent and tumultuous figure in the history of painting -- having actually earned his lifetime reputation as a criminal!
Beautifully illustrated, well documented, and written with both a sensitivity towards the subject and a refusal to let that sensitivity obscure "the dirt". ..this is a significant addition to the study of one of painting's more fascinating figures. I highly recommend it.

36 of 41 people found the following review helpful.
Light inside the Shadows
By A Customer
I found this book to be very entertaining as well as educational. The author did a great job of recreating the setting of Carravaggio's life; the important characters and atmosphere of all the places the artist lived in his nomadic life. Also, I look at Carravaggio's paintings in a new light and am even more impressed and moved by them than previously. Carravaggio's was a tragic life. The author captures the sense of impending doom that hanged over the artist's head like an executioner's sword. The author did a great job of bringing the artist to life with what little is actually known about him, through records, accounts, and most of all his paintings. Through it all there is the sense of an awesome talent and fragile ego, that both humbles and angers all who knew him. I came away realzing that Carravaggio was a man of his times as well as an artist of all time.

3 of 3 people found the following review helpful.
Extensively documented and researched, but ...
By Catherine E. Bolton
Everything you need to know - and more - can be found in this book. Unfortunately, some parts suffer from a clunky writing style and odd turns of the phrase. Better editing would have helped it immensely.

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Rabu, 01 Mei 2013

[N975.Ebook] PDF Ebook The Modern Invention of Medieval Music: Scholarship, Ideology, Performance (Musical Performance and Reception), by Daniel Leech-Wilkinson

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The Modern Invention of Medieval Music: Scholarship, Ideology, Performance (Musical Performance and Reception), by Daniel Leech-Wilkinson

Scholars and performers of the nineteenth and twentieth centuries attempted to revive music that could evoke the Middle Ages. They invented new sounds and new ways of understanding medieval music. This is the fascinating story of the musicians and the societies in which they worked to remake a lost musical world.

  • Sales Rank: #3386667 in Books
  • Published on: 2007-07-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x .79" w x 5.98" l, 1.12 pounds
  • Binding: Paperback
  • 348 pages

Review
"This book is a good read for anyone who is interested in medieval music or has an interest in how history, particularly music history, is written and developed." Music Educators Journal

"Part histoiography and part reception history, this meticulously researched volume reminds readers that no attempt to re-create the music of the past is likely to avoid doing sos through perspectives that are decidedly embedded in the present. Highly recommended." Choice

"The Modern Invention of Medieval Music is n important book. It raises fundamental questions about the relation among music, performance, and historical writing. It belongs on the reading lists of every graduate course in musicological methods, and by extension in the hands of any musicologist interested in how and (more importantly) why we write about music. I cannot praise this book enough for its imagination, daring and élan. It is a book that hits us where we live." Current Musicology, Thomas Irvine

About the Author
Daniel Leech-Wilkinson is a writer and broadcaster on medieval music. He is Reader in Historical Musicology at King's College, London and his previous books include studies and editions of the fourteenth-century poet and composer Guillaume de Machaut.

Most helpful customer reviews

16 of 18 people found the following review helpful.
How early music performers got that way
By JFW
The author tells us how medieval and early Renaissance music acquired its voices-cum-instruments interpretation, then shows that the recent shift to unaccompanied voices in music of these periods is the recovery of an earlier understanding. The first chapter, "The invention of the voices-and-instruments hypothesis," shows that those who rediscovered old music in the 19th century considered it purely vocal music. Even Hugo Riemann in his Musik Lexicon (1892 and 1893 editions) agreed completely. But in his 1905 edition, Riemann insisted that untexted parts of polyphonic songs were played on instruments, and many phrases of texted melodies were actually instrumental preludes, interludes and postludes. This soon became the standard point of view, for Riemann's book was a popular and influential reference. Guido Adler was one of the few scholars who disagreed. Medieval illustrations of singers and instrumentalists were misinterpreted to reinforce this thinking. In chapter 2, "The re-invention of the a cappella hypothesis," he recounts the early reaction to this orthodoxy in the 1950s and the turning point of Christopher Page's 1977 article in Early Music. Since then, Page, Andrew Parrott and Paul Hillier have led many performances and recordings that demonstrated the sound of early music without instruments, and David Fallows supported their efforts in his writings. Two more chapters fill in the background of the arguments. National prejudices and Nazi ideology come into play, and details are provided. No one who listens to early music will want to pass up this magisterial treatment of its 20th-century evolution. The fight is not yet over, for most recordings of this music still use instruments in the fashion that Leech-Wilkinson thoroughly discredits in this engaging book.

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