Free Ebook David Lynch Swerves: Uncertainty from Lost Highway to Inland Empire, by Martha P. Nochimson
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Beginning with Lost Highway, director David Lynch “swerved” in a new direction, one in which very disorienting images of the physical world take center stage in his films. Seeking to understand this unusual emphasis in his work, noted Lynch scholar Martha Nochimson engaged Lynch in a long conversation of unprecedented openness, during which he shared his vision of the physical world as an uncertain place that masks important universal realities. He described how he derives this vision from the Holy Vedas of the Hindu religion, as well as from his layman’s fascination with modern physics.
With this deep insight, Nochimson forges a startlingly original template for analyzing Lynch’s later films—the seemingly unlikely combination of the spiritual landscape envisioned in the Holy Vedas and the material landscape evoked by quantum mechanics and relativity. In David Lynch Swerves, Nochimson navigates the complexities of Lost Highway, The Straight Story, Mulholland Drive, and Inland Empire with uncanny skill, shedding light on the beauty of their organic compositions; their thematic critiques of the immense dangers of modern materialism; and their hopeful conceptions of human potential. She concludes with excerpts from the wide-ranging interview in which Lynch discussed his vision with her, as well as an interview with Columbia University physicist David Albert, who was one of Nochimson’s principal tutors in the discipline of quantum physics.
- Sales Rank: #381856 in Books
- Published on: 2014-05-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.00" w x 6.00" l, .96 pounds
- Binding: Paperback
- 295 pages
Review
"The richness of Nochimson’s writing, the thoroughness of her interpretation, and her assured stance in opposition to the canon of Lynch criticism to date all make David Lynch Swerves a must-read for anyone interested in the films of David Lynch. Or, for that matter, the state of film criticism in American culture. If criticism at its best is a form of revelation, then this is practically a new gospel." (House of SpeakEasy 2014-08-07)
"To grant Lynch agency and study him as Nochimson does—through his lens—is not to indulge in sloppy hagiography, but to know something of his remarkable vantage point on the mysteries of existence. . . . Nochimson is stretching herself beyond film studies into a realm where few film studies academics have dared to go. She is up front about the excitement and dangers of this approach, but she also makes an outstanding case that—with Lynch—such stretching beyond every conceivable boundary (be it academic or ontological!) is essential. . . . This book will likely be the standard for studying Lynch’s later films." (Joseph Kickasola, Associate Professor of Communication Studies, Baylor University, author of The Films of Krzysztof Kieslowski: The Liminal Image)
"Taken as a whole, this book is nothing less than a revelation of a new David Lynch. I want to say the true David Lynch, so convincing are the book’s claims, so well-substantiated and explained. I’ve studied all these films obsessively over the past ten years and have written extensively about two of them. But I never saw the profound meanings the book so powerfully discloses. The focus on the physics of Lynch is a true paradigm shift in our understanding of the director. Nothing will ever be the same in Lynch studies again." (Eric G. Wilson, Professor of English, Wake Forest University, author of The Strange World of David Lynch: Transcendental Irony from Eraserhead to Mulholland Dr.)
Review
"To grant Lynch agency and study him as Nochimson does—through his lens—is not to indulge in sloppy hagiography, but to know something of his remarkable vantage point on the mysteries of existence. . . . Nochimson is stretching herself beyond film studies into a realm where few film studies academics have dared to go. She is up front about the excitement and dangers of this approach, but she also makes an outstanding case that—with Lynch—such stretching beyond every conceivable boundary (be it academic or ontological!) is essential. . . . This book will likely be the standard for studying Lynch’s later films." (Joseph Kickasola, Associate Professor of Communication Studies, Baylor University, author of The Films of Krzysztof Kieslowski: The Liminal Image)
"Taken as a whole, this book is nothing less than a revelation of a new David Lynch. I want to say the true David Lynch, so convincing are the book’s claims, so well-substantiated and explained. I’ve studied all these films obsessively over the past ten years and have written extensively about two of them. But I never saw the profound meanings the book so powerfully discloses. The focus on the physics of Lynch is a true paradigm shift in our understanding of the director. Nothing will ever be the same in Lynch studies again." (Eric G. Wilson, Professor of English, Wake Forest University, author of The Strange World of David Lynch: Transcendental Irony from Eraserhead to Mulholland Dr.)
About the Author
Martha P. Nochimson has had a distinguished academic career, teaching at the Tisch School of the Arts at New York University and serving at Mercy College as the creator and first Chair of the film program. She is the author of five previous books, including The Passion of David Lynch: Wild at Heart in Hollywood.
Most helpful customer reviews
2 of 2 people found the following review helpful.
expensive and worthwhile
By L. filosa
Initially, you need a film school groupie's dictionary to get through the first bit, where all the predictable psychobabble film study nonsense is addressed-but once she gets to the meat of the later Lynch works, there's some great ideas here. I don't know if I like her take on mulholland drive, or if it's too multiversal for my taste-but she sure does shine a light on INLAND EMPIRE, which has been quite a stumbling block in the Lynch canon for me personally. Good stuff. The Lynch interview excerpts at the end are very brief, so don't expect the holy grail of candid comments here. The interview with the physicist is illuminating. Be nice if this brief study were priced more reasonably.
0 of 0 people found the following review helpful.
Amazing and New
By Arthur Vincie
David Lynch's films resist easy categorization and analysis. They're ambitious, ambiguous, and by turns beautiful and discomforting. Martha Nochimson has delved deeper than any critic has into his work. Using the theoretical framework of modern quantum physics and Vedic philosophy - both gently explained so that non-scientists/non-philosophers can understand what she's talking about - Nochimson does a careful, close reading of "Inland Empire," "The Straight Story," "Mulholland Drive," and "Lost Highway," and the results will surprise you. Rather than seeing some dark vision of the world, Nochimson reveals Lynch to be an incredible, energetic optimist. This is well worth the read. Also pick up her earlier "Passion of David Lynch" for its discussion of Lynch's earlier works. The two books complement each other really well, each offering different insights into one of the most important filmmakers of our time.
0 of 0 people found the following review helpful.
A bit heady and also interesting
By matty creen
Physics and Lynch meet and form new explanations of Lynch films since Lost Highway. Extensive research and at times difficult if you, like me, have little understanding of physics. Still, I'll read anything about my favorite movie ever, Inland Empire.
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