Selasa, 29 Juni 2010

[G868.Ebook] PDF Download The African Experience: An Introduction, by Vincent B. Khapoya

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The African Experience: An Introduction, by Vincent B. Khapoya

  • Sales Rank: #17295835 in Books
  • Published on: 2009
  • Binding: Paperback

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Rabu, 23 Juni 2010

[J691.Ebook] Ebook Free Ghosts and Girls of Fiction House!, by Various

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Ghosts and Girls of Fiction House!, by Various

  • The publisher Fiction House was infamous for what anti-comics crusader Dr. Fredric Wertham called "headlight comics," i.e. comics featuring the ample female bosom. The Pre-Code publisher used their buxom heroines to star in jungle comics, science fiction tales, and scary GHOST STORIES! The Chilling Archives of Horror Comics series curates the sexiest and scariest of these poltergeist-infused Good Girl Art comics in a pulse-pounding tome, Ghosts and Girls! Your hair will stand on end and at the same time your toes will curl!
  • Featuring faithfully reprinted original art from these 1940s and 1950s by brilliant masters Matt Baker, Maurice Whitman, and more, don't miss this must-have, large format collection edited by comics historian and filmmaker Michael Price, with its lovingly restored comics.

  • Sales Rank: #503811 in Books
  • Published on: 2015-11-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.10" h x 1.00" w x 8.80" l, .0 pounds
  • Binding: Hardcover
  • 152 pages

About the Author
The Marvel and Other Short Stories is a collected anthology of six short stories written by the winners of the Austin Macauley World Book Day short story competition.

The Marvel and Other Short Stories is a collected anthology of six short stories written by the winners of the Austin Macauley World Book Day short story competition.

No biographical note available

Most helpful customer reviews

11 of 12 people found the following review helpful.
not particularly compelling as stories, but interesting as historical record--wanted more analysis
By B. Capossere
In the early history of comic books, Fiction House was well known for its “headlight comics,” so named for the focus on buxom half-dressed females. Though the publisher spanned various genres, including jungle stories, aviator adventure tales, and space opera, as the title implies, Ghosts and Girls of Fiction House!, edited by Michael Price,vfocuses on their supernatural stories, in particular a long-running series entitled “The Ghost Gallery by Drew Murdoch” (Murdoch is the private eye narrator, not the actual author), which ran for 126 issues before evolving into Ghost Comics in the 50s.

This volume opens with a very brief introduction by Craig Yoe, in which he recounts an early bonanza purchase of old comics as an adolescent — his first introduction to Fiction Houses’ Jumbo Comics. After recounting his purchase and discovery, he offers a quick few lines from famed anti-comic crusader Dr. Fredric Wertham about the Fiction House line of stories, none of which, you won’t be surprised to hear, were at all positive.

A second introduction delves much more into the history of Fiction House: how it came about, its place in the industry, a recounting of some of its better known writers and illustrators, including Will Eisner, and Bob Kane. This introduction, while informative, reads a bit choppy, and I wouldn’t have minded some more time spent here to offer up more full explanations/histories, smoother shifts, and a bit more cultural context, as when the introduction quotes Trina Robbins saying about Fiction Houses’ female characters: “[most] were strong beautiful, competent heroines. They were war nurses, aviatrixes, girl detectives, counterspies, and animal-skin-clad jungle queens, and they were in command.” The intro also touches upon the comic’s connection to the B-movie horror studios, runs through some of the artists, and touches upon some of the problematic portrayals thanks to the comics being written at a time “when ethnic stereotyping was a commonplace practice.” While the attempt to place said portrayals in context is both worthy and probably necessary, the phrase “affectionate condescension” is an unfortunate one I’d say (referring to the dialect of one of the black characters, which indeed is wince-inducing).

After a series of wonderfully lurid and colorful covers from the 50s by Maurice Whitman, the collection moves into the reprints of the old Ghost Gallery stories, running from page 17 to page 95.

The stories themselves are probably more interesting as historical artifacts than as compelling narratives. They tend to feel a bit repetitive after about halfway through, and the few at the end almost feel like after-thoughts or toss-offs by writers not getting paid very much, they’re so sketchy. The ghosts in the works are surprisingly substantive at times, able to interact with objects and people. Others use their spectral knowledge to gain vengeance on those who did them wrong or to otherwise seek justice. The mix of the private eye/noir genre with the ghost story one is interesting, with Murdoch getting called in by someone who knows he’s the “go-to guy” when it comes to investigating not just crimes but crimes with a potentially supernatural element to them. As mentioned, the ethnic portrayals (or regional ones, such as the moonshining/feuding hillbillies) are painful at times; luckily they don’t arise very often, one assumes thanks to the selection process.

The art is solid if conservative by today’s standards. Panels are generally symmetrical and roughly all the same size with characters and action tightly constrained. Characters are surprisingly static much of the time. Every now and then the illustrator will play around with a triangular panel, an asymmetrical slanted one, or one set somewhat askew, and these are a relief from the relative monotony otherwise. Things do liven up as the stories move forward artistically; I’m not sure whether that’s a result of the editing/selecting process or a chronological effect as the artists matured and became more experimental. Throughout though, the covers remained an artistic highlight.

I can’t say the stories or the art were particularly impressive or at all compelling, but I did enjoy the general “spirit” of them. And as historical documentation, both of the comic book art and of pop culture, Ghosts and Girls of Fiction House! is a nice record, even if I would have liked a bit more analysis in the intros.

3 of 3 people found the following review helpful.
Not quite second rate
By Chuck Furnace
these ghosts stories fall somewhere between the EC and AIG horror offerings, with inconsistent stories and art. They mostly concern a Ghost Detective whose personality is not very developed and many stories have a Scooby Doo ending. The Iger Shop had some great talents, but that doesn't shine in this volume.

5 of 6 people found the following review helpful.
Needs better organization
By JKMFilms
Risqué? Maybe a little; but not by today's standards.

But are they sexist?

It's interesting that in so many of these sexy girl comics, the heroine is the strong character. She's not waiting for a man to save her. She's not here simply for men. Do they pass the Bechdel test? I don't know. More on that later.

Famed indie comic author Trina Robbins noted "most of [Fiction House's] stories either starred or featured strong, beautiful, competent heroines. They were war nurses, aviatrixes, girl detectives, counterspies, and animal-skin-clad jungle queens, and they were in command."

Ghosts and Girls gives the interesting history of Fiction House comics. It even has a pulpy vibe to the writing. It describes how Fiction House set the pace for horror comics but newer publishing houses like EC seemed to be the ones that started the genre.

It's interesting how many big comic names contributed to these before creating the superheroes they were known for - like Jack Kirby or Bob Kane.

But then, for me, the confusion started. About 10% of this book is essay - describing some of the interesting history noted above. In this section, it would have been good if the covers shown could have related to the text. For example, when he talks about Bob Hebberd's googley eyes, it would have been good to see an example rather than Jumbo Comics #164, which isn't even mentioned in the text.

But then, the hardest thing to figure out about this book is the structure. It appears to be a couple of essays on Fiction House followed by examples of some of the comics. (And I'm assuming that the covers following the section on Maurice Whitman, though it should be more explicit, at least in the captions.) Then next 10% is these example covers.

And then, more than 75% of this almost-200-page-book is actual comics.

I've never really read any of these old horror books. They're pulpy and fun.

Ye gods! Bullets won't stop the thing! It's a ghost beast!

Though sometimes a bit confusing; the grammar isn't the best and there's often a lot going on - who killed who and when?

And to be honest, after reading several of these stories they get a bit tedious. Why? Because, they're all about Drew Murdoch, Ghost Hunter. Maybe this book should have been called "Ghosts and Drew Murdoch of Fiction House."

Are the several comics shown here the best examples of Fiction House fare? A random sampling? An intro to each one might have been good. And maybe a closing the book ends with the last page of the last comic.

Unfortunately, none of the comics were good examples of what the essays were talking about. The closest we get to strong women is the Cleopatra story where she curses those that have defiled her grave. Other than that, it's just a bunch of ghost stories being investigated by our intrepid ghost expert Drew Murdoch.

This book would have been much, much more interesting if the essays had tied to the comics somehow - and if the text was more explicit about it.

Note: Received copy for review.

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Sabtu, 19 Juni 2010

[O360.Ebook] Ebook Download The Smoke Thief (The Drakon, Book 1), by Shana Abe

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The Smoke Thief (The Drakon, Book 1), by Shana Abe

For centuries they’ve lived in secret among northern England’s green and misted hills. Creatures of extraordinary beauty, power, and sensuality, they possess the ability to shape-shift from human to dragon and back again. Now their secret–and their survival–is threatened by a temptation that will break every boundary....

Dubbed the Smoke Thief, a daring jewel thief is confounding the London police. His wealthy victims claim the master burglar can walk through walls and vanish into thin air. But Christoff, the charismatic Marquess of Langford, knows the truth: the thief is no ordinary human but a “runner” who’s fled Darkfrith without permission. As Alpha leader of the dra´kon, it’s Kit’s duty to capture the fugitive before the secrets of the tribe are revealed to mortals. But not even Kit suspects that the Smoke Thief could be a woman.

Clarissa Rue Hawthorne knew her dangerous exploits would attract the attention of the dra´kon. But she didn’t expect Christoff himself to come to London, dangling the tribe’s most valuable jewel–the Langford Diamond–as bait. For as long as she could remember, Rue had lived the life of a halfling–half dra´kon, half mortal–and an outcast in both worlds. She’d always loved the handsome and willful Kit from the only place it was safe: from afar. But now she was no longer the shy, timid girl she’d once been. She was the first woman capable of making the Turn in four generations. So why did she still feel the same dizzying sense of vulnerability whenever he was near?

From the moment he saw her, Kit knew that the alluring and powerful beauty was every bit his Alpha equal and destined to be his bride. And by the harsh laws of the dra´kon, Rue knew that she was the property of the marquess. But they will risk banishment and worse for a chance at something greater. For now Rue is his prisoner, the diamond has disappeared, and she’s made the kind of dangerous proposition a man like Kit cannot resist....In this bewitching novel, Shana Abé transports us into a world of exhilarating romance and magic.


From the Hardcover edition.

  • Sales Rank: #885653 in Books
  • Brand: Abe, Shana
  • Published on: 2006-09-26
  • Released on: 2006-09-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.88" h x .96" w x 4.17" l,
  • Binding: Mass Market Paperback
  • 352 pages

About the Author
Shana Abé is the award-winning author of nine novels, including The Smoke Thief. She lives in the Denver area with four surly pet house rabbits, all rescued, and a big goofy dog. Please, please support your local animal shelter, and spay or neuter your pets.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter One

Chasen Manor
Darkfrith, England
1737

The Right Honourable Christoff Rene Ellery Langford, Earl of Chasen, was bored.

He had decided to demonstrate this fact by slouching in his chair, his legs outstretched and his blond head turned idly away from everyone else in his father's study. One sun-darkened cheek was propped languidly upon his fist; his green eyes were hooded, masked with brown lashes. He listened to his father talk with the haughty, brooding air common to either the young or the powerful.

Kit, as it happened, was both. Sixteen years old and well-acknowledged as the heir to the tribe, he endured these meetings as his duty. He did not speak. He did not bother to meet the eyes of the other men present. When he looked up from his boots he chose to contemplate the view from the Tudor windows, the summer lush hills and rich black trees. The beckoning woods.

He listened to the same debate the council had at every meeting now. He could practically predict, verbatim, who would say what.

"The safety of the tribe is paramount. We must ensure our survival."

Parrish Grady again. The man never let up. Eldest member of the council, blue-eyed, sharp-toothed. Kit was beginning to consider him his own personal nemesis, if for no other reason than these meetings crawled on hours longer than they would without him.

Outside, just over a distant hill, appeared a flock of girls. About Kit's age, white skirts, frilled aprons, straw hats with ties that dangled in the wind. A few carried armfuls of flowers. He watched them come closer.

"Naturally, Parrish, our survival is paramount." Kit's father, the marquess. "No one debates that."

"We need a full-blood female!"

"I'd say we've been doin' our best there," retorted Rufus Booke, brash and newly wed, "though mayhap you'd prefer to check our beds every night."

Kit snorted back a laugh. He felt his father's gaze flick to him, then away.

"Aye, we need a female," the Marquess of Langford agreed. "But we do not appear to have one. Yet. There are several young tribeswomen on the verge of the rebirth. We may hope one of them will complete the Turn."

"Hope," repeated Grady, derisive. "Four generations it's been, and no female to make the Turn! What will happen to us--all of us--when it becomes impossible for the menfolk as well?"

Silence greeted this. It was the great, simmering fear among the tribe, that the Gifts would be taken. That their powers would fade.

"We cannot force our fate," said the marquess, harder now. "We all understand that. We are what we are. Our more immediate concern is the perimeter of the forest. There have been signs of recent disturbance, not our own. Strangers are prowling our lands. Christoff reported horse tracks up to Hawkshead Point."

"Hawkshead? But that's not even ours! What the devil is the boy doing all the way out there? We have rules! He left the boundary!"

Again, the distinctive prickle of his father's gaze. Kit allowed himself the slightest curl of his lips.

"Let us focus on the matter at hand," said the marquess smoothly. "Hawkshead is adjacent to our boundaries. If someone has chanced that far . . ."

The girls had paused in a soft valley between the hills, clutching their hats as the breeze turned brisker. Sunlight showed honeyed locks flying and flaxen, strawberry blond and ginger red. Four girls, smiling and chattering amid the green. Someone loosed her flowers, and the August wind blew them into bright confusion.

Parrish Grady thumped a fist on the arm of his chair. "The boy's too wild, even for our kind. He needs to be reined in. You know it yourself, my lord."

Kit stared a little harder at the girls, his eyes narrowed.

"Thank you, Mr. Grady, but I take the responsibility of raising my son as my own."

"If he is to be Alpha--"

"There is no if," hissed the marquess, coming to his feet. "You will do well to understand that right now."

Silence fell once more across the study. One of the men cleared his throat, nervous, but said nothing.

Outside, the flower girls had gone very still. The strawberry blonde turned her face into the breeze--and the other three did the same. Kit recognized them now, Fanny and Suzanne, daughters of the smith, Liza from the mill. And Melanie, their leader. Melanie, of the apple cheeks and soft petal lips. Melanie, with her quick, cunning smile. He stirred in his chair, leaning casually on his elbow to see what they did.

Sky, grass, woods . . . and a shape in the trees. Another girl.
"There is the matter of the runners," volunteered a new voice, George Winston.

"Aye, the runners," began the murmurs across the room, and the marquess sat down again.

The woodsgirl realized that she had been discovered. She stood frozen as well, smaller than the other four, pressed up against the trunk of a tree. Kit could make out one pale hand against the bark, fingers splayed. He could not see her face.

Very, very slowly, she began to ease backward.

Melanie had turned to the others. She was speaking. She was taking off her hat.

". . . precisely as I said. We cannot risk further incidents with outsiders. We were fortunate enough to capture the Williams boy before he had gotten too far, but the next time may be the time that he--or some other hotheaded young fool--manages to evade us. I shudder to think of what might have happened had he made it past the shire. I need to have a word with his parents again. And then the gamekeepers, I think . . ."

The woodsgirl had managed hardly a step. Perhaps she hoped the others were bluffing; Kit, however, knew Melanie better than that. With infinite care the girl slid back another step, and then Kit caught her profile. It was that lass, the scrawny one always ducking from crowds, peering out of shadows . . . what was her name? He frowned, trying in his mind to place her amid the intricate shoots and branches of the tribe families. He'd seen her mostly around the village, brown-haired, white-skinned. Timid. Mousy, even, if such a word could be applied to any member of their kin.

Melanie's group began to walk toward her and the woodsmouse froze again--then lost her nerve. She skipped back. It was all Melanie needed.

The four girls broke into a sprint.

Kit straightened in his chair, forgetting his father's meeting. Four against one was hardly sporting, especially as the prey was so much younger than the hunters. The mouse vanished from view, swiftly followed by the others. He had glimpses of gowns flashing through the trees, and then nothing.

Calm settled back upon the forest, unbroken, silent as winter snow.

Kit uncrossed his ankles, considering. He'd seen the little mouse more and more of late, now that he thought about it. Always quiet, always alone.

If she had any sense, she'd head for the river. They might lose her scent there--

"Christoff? Christoff! Are you listening, boy?"

"Aye," Kit answered, with just that trace of surliness guaranteed to send color into his father's cheeks. "The perimeter, the runners. Dire peril to the tribe, et cetera."

"How gratifying to have your attention." The marquess thinned his lips. "Perhaps, then, you might have a suggestion for the council?"

For the first time Kit looked around at the gathered faces fixed upon him, tanned and pale and avid eyes.

"Regarding the matter of your bride?" prompted his father softly.

Kit opened his mouth to speak. But just then the woods erupted; the young girl hurtled out of the trees in a flap of skirts and mad streaming hair, her face flushed, cutting a sharp angle across the perfectly manicured rear lawn.

Kit stood, and all the men turned.

"What the--oh--it's--"

"The Hawthorne gel," said George. "Halfling. Clara, Clareta--"

"Clarissa," supplied Kit, in a spark of memory. "And Mel," he added dryly, as the other four emerged at her heels, gaining.

"Ah." The marquess took his seat again with his back to the window. "Halfling. Well, then, no matter. Gentlemen, shall we continue?"

But Kit remained standing, watching the lass run.



She crept into the cottage kitchen on her toes but, as usual, wasn't furtive enough to fool her mother.

"Clarissa? Is that you?"

"Yes, Mama."

She ought to have known she couldn't slip in and hide; her mother's senses were far too keen for that. Or perhaps it was the draft from the back door that gave her away. Either way, she thought glumly, she was caught now.

"What are you doing, child?"

"Washing up."

She dipped her hands into the chipped basin on the counter, scrubbing, watching the water turn pink with blood. She found the dishcloth and ran it over her face, wiping off the dirt, more blood.

"Mama, would you like tea?" she called.

"Yes, dear. That would be lovely."

She set the kettle to boil and scooped the tea leaves from this morning's breakfast, still damp, back into the teapot. She tossed the wash water out over the back steps--sending a quick, nervous look around the garden first--and then refilled it from the cistern.

The kettle began to steam.

By the pot of geraniums on the windowsill was the polished tin oval she had given her mother last Christmas, hung up by a yellow ribbon. It showed the kitchen in dusky gray and always made her face into a long, funny shape that reminded her of a fish, but it was still a better mirror than the windowpanes.

Clarissa examined her reflection critically: her hair was snarled, the white tucker at her collar torn. There was dirt on her elbows and three drops of blood across her bodice. Her lower lip throbbed red and bruised.

"Clarissa, I believe the water's ready."

"Yes, Mama."

No time to change gowns. She brushed herself off as best she could, recaptured her hair and twisted it into a haphazard bun. She poured the hot water into the teapot, set it on the tray along with cups and honey and cream, and then bread with the last of the butter.

One final look into the tin oval. Better, but not best. She widened her eyes to round perfect innocence and practiced a smile--wincing at her lip--then picked up the tray and carried it to her mother's room.

Antonia Hawthorne was sitting up in bed, her ashen hair in plaits, her hands folded on her lap. It was one of her better days; Clarissa could hardly hear her breathing. Her face was drawn but her eyes ever bright as she surveyed her daughter. Her mouth took on a ruthful slant.

"Oh, dear."

With great care, Clarissa set the tray upon the bedside table, unable suddenly to look up from the butter pats.

"Tell me," her mother invited in her soft, gentle voice. She waited as Clarissa fumbled with the spoons, her face still downturned, then said more firmly, "Clarissa Rue."

"An accident. I tripped over a tree root."

"Did you?"

Clarissa tried her wide-eyed look upon the teapot, beginning to pour. "Yes. I was clumsy. I tripped, and then I rolled down a hill. You know that one just past Blackstone Fell. It's very steep."

"Yes. I know it is."

Clarissa handed her the cup, meeting her gaze. "And that's what happened."

Antonia took a sip of tea. "Was Miss Melanie there?"

"No."

"Nor the others?"

"No." Clarissa began to meticulously butter the bread.

"You must stay away from them. I've told you before. They will not be kind to you."

The bread in her hand began a watery waver; she squeezed her eyes closed and felt a tear slink down the side of her nose.

"It is not your fault," said Antonia.

Another tear fell.

"It is mine," finished her mother, still soft.

Clarissa dropped the bread to the tray, swiping at her eyes with greasy fingers.

"Come here, my sweet girl," said Antonia, and Clarissa sniffed and crawled over the covers, slippers and dirty gown and all, nestling into her mother's embrace.

She smelled of medicine and lilacs. Her heartbeat was a fluttering thrum against Clarissa's ear.

She felt her mother's hand lift, begin to work loose the unkempt knot she had made of her hair. Clarissa turned her head and spoke down into the pillows; her voice came out as a miserable whisper.

"Won't they ever like me, Mama?"

"No, beloved. They won't."

"But I try to be like them--"

"You are more beautiful, more wonderful than all those savage girls put together. You are the most precious gift of my life. I am so proud of you, and your father would have been too. But . . ." Antonia's fingers paused; she seemed to be searching for words. "When the tribe looks at you--all they see is him. And he was not one of us."

"One of you, you mean," Clarissa muttered.

"One of us. Half your blood is my blood, the tribe's blood. That is your heritage. No one can deny you it."

The ruffles of her mother's gown were thin and worn, crumpled beneath her cheek. She wiped away another tear.

"Keep alone if you must, keep apart," murmured Antonia, stroking her daughter's dark hair. "Someday you'll grow up to be a splendid young woman, and you'll find a man who will love you for exactly who you are, just as I did. But know, my darling, that no matter what the future brings, you will always have a place here, with the tribe."



She knew whom she wanted to love her. She knew whom she wanted to rescue her, to speak her name and laugh with her and defend her from the world with the sudden, blinding charm of his smile.

Christoff. Golden, lovely Christoff, with his eloquent hands and sleepy green eyes that seemed to fill her soul whenever he chanced to see her. Which wasn't often, she had to admit. There wasn't a boy in the shire to compare to him. That's what Clarissa thought. And that's what Melanie and Liza and all the rest thought too. Clarissa knew, because even though she was only twelve and she hadn't the full blood of the tribe in her veins, she did have one single, clever skill: stealth.

She was very good at it. Or, rather, she had been. Till this afternoon.

She lay awake in her bed and counted the stars through her window, watching Cepheus and Cassiopeia tilt across the heavens. She loved the night best. It was the time for dreaming, for imagining what might be. Tonight the nightingale was singing from her nest in the garden laurel, aching, wistful notes that looped long and then warbled fleet, like water over a streambed. The gingham drape of her curtains framed the treetops that were the eastern end of the orchard. The cottage had been built by her grandfather beside the oldest and largest of the Roman apple trees. Every spring, the air smelled like paradise.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Get it. Right now. Do iiiiiiit.
By Apprentice007
I reread this book every few years and am always surprised by something I missed before. Abe's writing is clear and supple, like the caress of smoke that draws you down the plotline. Her characters seem real enough to reach out and touch, even supporting characters, which is a feat in itself!

0 of 0 people found the following review helpful.
Boring
By Amazon Customer
I'm not hating this book, but i certainly don't love it. The plot is thin, the heroine annoying, the hero an manipulative ass. Their actions doesn't make sense and the romance only builds on their amazing "chemistry". Would not recommend.

2 of 3 people found the following review helpful.
Amazing dragonlore and romance
By Kyra_Athena
This book is phenomenal. Shana Abe's Last Mermaid was wonderful and this one is too. The plot flows and no details are left hanging. The writing style allows you to be right there with the characters. Clarissa Rue grew up an outcast among the drakon (dragon shape-shifters) being half human. At 17, she became the only female in 4 generations to be able to turn making her the Alpha female and mate to the Alpha male whether she likes it or not. Clarissa stages her death and escapes to London where she is an adept thief using the transitional mist (smoke) of the drakon and her skill with disguises. She earns the name the Smoke Thief and attracts the attention of the Alpha male and the rest of the tribe. Nonetheless, Alpha meets Alpha...My only disappointment was that the book wasn't longer. The size is probably 1/3 of the Last Mermaid. The last few lines in the epilogue hint at a future drakon novel though.

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Senin, 14 Juni 2010

[Y223.Ebook] Ebook Blood Cold: Fame, Sex, and Murder in Hollywood, by Dennis McDougal, Mary Murphy

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Blood Cold: Fame, Sex, and Murder in Hollywood, by Dennis McDougal, Mary Murphy

The riveting true account of the 2001 murder of Bonny Lee Bakley, starring Robert Blake—the Hollywood icon accused of killing his wife in cold blood

In May 2001 Bonny Lee Bakley was shot to death in a car parked on a dark Hollywood side street. Eleven months later Robert Blake—her husband, the father of her child, and the star of the classic film In Cold Blood and the popular 1970s TV detective series Baretta—was arrested for murder, conspiracy, and solicitation. Did Blake kill his wife? Did he hire someone to do the job for him?

Award-winning journalist Dennis McDougal and entertainment-media expert Mary Murphy recount a real-life crime story more shocking and bizarre than any movie, chronicling the parallel worlds of Blake and Bakley, from their troubled youths to their sham of a marriage. By the late 1990s Blake was coasting on his past success. Bakley was a con artist who concocted online sex scams and victimized unsuspecting men, netting big money and dangerous enemies.

In true noir style, McDougal and Murphy lay bare the stories of two violent people whose lives collided in a tragic tangle of abuse, betrayal, and love gone horribly wrong. 

  • Sales Rank: #278534 in eBooks
  • Published on: 2015-02-17
  • Released on: 2015-02-17
  • Format: Kindle eBook

About the Author
Dennis McDougal is the author of eleven books, including Dylan: The Biography, The Last Mogul: Lew Wasserman, MCA, and the Hidden History of Hollywood, and the true-crime books Angel of Darkness and Mother’s Day. He is also a coauthor of Blood Cold: Fame, Sex, and Murder in Hollywood. Formerly an investigative reporter for the Los Angeles Times, McDougal began covering movies and media for the same newspaper in 1983 and, more recently, for the New York Times. His journalism has won over fifty honors, including the National Headliners Award and the Peabody Award.

Mary Murphy, a coauthor of Blood Cold: Fame, Sex, and Murder in Hollywood, is a senior lecturer at the USC Annenberg School for Communication and Journalism. She is a contributor to the syndicated shows Entertainment Tonight and The Insider and has been on the staffs of the St. Louis Post-Dispatch, the Los Angeles Times, and New York, Esquire, and TV Guide magazines. Murphy has also reported for USA Today Sunday Magazine, the New York Post, and the Hollywood Reporter.

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13 of 14 people found the following review helpful.
ADDS INTRIGUE TO AN ALREADY-MESMERIZING CRIME CASE
By A Customer
When Robert Blake suddenly broke into the news with the shooting death of Bonny Lee Bakley, his was a familiar face, yet someone most of us knew very little about. But who in a million years would have guessed the story that waited to be told about Bakley?
This book begins with an interesting account of the crime and what was known about it when written in 2002. From there, it evolves into separate tales, one about former child actor Michael Gubitosi, a.k.a. Robert Blake, and the other about his unlikely partner. It is in these background stories, even more than in the crime itself, that one discovers the real fascination of this case.
Blake, type-cast for his entire adult life as an edgy tough guy regardless of whether his character was outlaw or cop, reinforced that street-wise image in countless television appearances during the 70s and 80s. And while this book hardly dispels that side of his personality, it adds another dimension that is truly "counter-Hollywood" and which most readers could never have imagined: a fierce loyalty, a commitment to social causes, and, above all, the capability to genuinely and deeply love a little baby who was born over his strongest objections.
These seemingly-contradictory characteristics, described compellingly in this readable text, are what gives the Blake murder case its film noir magnetism.
And as capitvating as the Blake story may be, the Bakley biography is nothing short of incredible. The book traces her life from the time she was born into a thoroughly-unwholesome family in New Jersey to her murder in May of 2001, and is based on scores of interviews in several states, court records, and other assorted documents. Were this not the truth, no one could possibly believe it. Hers was a life that would make a streetwalker blush.
McDougal and Murphy relate in torrid detail how from a very early age Bakley was drawn to the fast, dangerous lifestyle, to violent men, and to kinky sex of every imaginable kind. She parlayed her "anything goes" ethic into an enterprise that was shrewdly run, netting her and her like-minded relatives vast sums of money (most of it squandered), and making her hundreds of enemies over the years. One cannot imagine that anything was over-the-line for Bakley, who went so far as to broker her 13-year-old daughter as a sexual partner for high-paying clients.
The story takes an even more bizarre turn when one of Bakley's siblings attempts a double-cross, concocting an amateurish plot to extort tens of thousands from one of Bakley's best customers. The scheme goes out of control, Bakley threatens to kill unless compensated, and the hoax ends up in the files of the FBI in Memphis.
This book tells the unforgettable story of a volatile, often-explosive, and troubled screen star on a collision course with a desperate and truly depraved celebrity stalker, a faded porn-queen determined to turn herself into a the convenience-wife-from-hell at the expense of one very unlucky actor.
This is not a crime-solvers manual, and it does not try to make the case that Blake killed nor didn't kill Bakley. It seems beyond question that he hated her, but Bakley herself was a jaded predator capable of astounding cruelty. Readers are left to conclude that if Blake didn't fire the gun, he and a hundred others had ample reason for wanting to.

5 of 5 people found the following review helpful.
In Hollywood anything can happen. Anything at all. - Raymond Chandler.
By stoic
Blood Cold recounts the events leading up to Robert Blake's arrest for murdering Bonny Lee Bakley. It is the best sort of true crime story - one of those "stranger than fiction" tales: an aging Hollywood star agrees to marry a grifter after getting her pregnant. Then someone murders the grifter.

The book is strongest when it focuses on telling Blake and Bakley's life stories. Blake - the former "Our Gang" child actor turned unhappy adult star - gets most of the attention. By the time of the 2001 murder, Blake had been in the public eye for about sixty years. Authors Dennis McDougal and Mary Murphy draw from Blake's countless interviews to paint an entertaining but unflattering picture of Blake.

The coverage of Bakley isn't as strong. She was as a remorseless con artist. Her most-common scam involved using pornographic photos of herself to get money from lonely men. It is not surprising - therefore - that Bakley spent her life in the shadows and much remains unknown. Still, the picture that emerges is - once again - fascinating and repellent.

There are some drawbacks to the book. McDougal and Murphy's prose can be awkward. Also, the sections on the actual murders and the LAPD's investigation are not as entertaining as are Blake and Bakley's life stories. Finally, the book concludes well before Blake's trial.

While Blood Cold definitely wasn't a threat to win a Pulitzer prize, it is an entertaining account of two lives gone horribly wrong. Readers will find it hard to put this one down.

8 of 9 people found the following review helpful.
Pretty much what I'd hoped for..
By A Customer
This book isn't a true crime classic along the lines of BULLY (very shocking and will change your perceptions of teenage America) but it's a pretty fair book..
I wish there had been more pictures of Bonny Lee Bakley. There are a number of pictures of Blake but, of course, we all know what he looks like.. and he wasn't the looker of the two. A fair amount of the book is devoted to recounting Blake's career, but this part moves along quickly and is intercut with clips of Bonny's young life. The book has a nice pace to it and covers some pretty weird aspects of Bonny's life.

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Minggu, 13 Juni 2010

[R562.Ebook] Get Free Ebook ELECTRONIC INSTRUMENTATION AND MEASUREMENT TECHNIQUES., by William David. Cooper

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ELECTRONIC INSTRUMENTATION AND MEASUREMENT TECHNIQUES., by William David. Cooper

  • Published on: 1970
  • Binding: Paperback

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Rabu, 09 Juni 2010

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  • Sales Rank: #55994 in Books
  • Brand: Brand: Trafford Publishing
  • Model: BOOK064
  • Published on: 2007-02-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .41" w x 7.00" l, .71 pounds
  • Binding: Paperback
  • 180 pages
Features
  • ISBN13: 9781425103392
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

About the Author
Dr. Warren Willey is the Medical Director of The Fitness Medicine Clinic, a full-service preventative medical organization helping people to obtain optimal health and fitness through elite nutritional programs, diet strategies, and exercise programs. He is a Board Certified Osteopathic Physician, and completed his postgraduate training at The Mayo Clinic. He is a founding diplomat of the American Board of Holistic medicine and a diplomat with The American Board of Family Practice. He is an active bodybuilder and has designed a number of exercise modalities. Dr. Willey is an established author having written a medical textbook and What Does Your Doctor Look Like Naked? Your Guide To Optimum Health, released in 2003. This book has helped thousands of people lose weight and obtain and then maintain optimal health. He also writes for a number periodicals. He has 20+ years experience with exercise development, personal training and nutritional intervention.

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0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Easy to read. Easy to follow. Good buy.

0 of 0 people found the following review helpful.
Five Stars
By Robert V. Blakely
Great book that is very helpful.

0 of 0 people found the following review helpful.
Five Stars
By Laura
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Rabu, 02 Juni 2010

[F127.Ebook] Ebook Writing Research Papers: A Complete Guide (spiral-bound) (11th Edition), by James D. Lester

Ebook Writing Research Papers: A Complete Guide (spiral-bound) (11th Edition), by James D. Lester

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Writing Research Papers: A Complete Guide (spiral-bound) (11th Edition), by James D. Lester

Writing Research Papers: A Complete Guide (spiral-bound) (11th Edition), by James D. Lester



Writing Research Papers: A Complete Guide (spiral-bound) (11th Edition), by James D. Lester

Ebook Writing Research Papers: A Complete Guide (spiral-bound) (11th Edition), by James D. Lester

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Writing Research Papers: A Complete Guide (spiral-bound) (11th Edition), by James D. Lester

The definitive research paper guide, Writing Research Papers combines a traditional and practical approach to the research process with the latest information on electronic research and presentation. This market-leading text provides students with step-by-step guidance through the research writing process from selecting and narrowing a topic, to formatting the finished document. Also, Writing Research Papers backs up its instruction with the most complete array of samples of any research writing guide on the market. The text continues its extremely thorough and accurate coverage of citation styles for a wide variety of disciplines. The Eleventh Edition maintains Lester's successful approach while detailing the uses of new computer technologies that are changing the face of research. Available in two formats-perfect-bound (0-321-23646-7) and spiral-bound with tabs (0-321-23647-5, a handier format at a slightly higher price)-Lester's text is one that students will keep throughout their college careers.

  • Sales Rank: #3707483 in Books
  • Published on: 2004-02-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x .85" w x 6.54" l,
  • Binding: Spiral-bound
  • 448 pages

Most helpful customer reviews

19 of 19 people found the following review helpful.
Lester, after 13 editions, its' still the best.
By Joe Bova
Lester's "Writing Research Papers" is still the standard reference tool for university students and high school students who have to write research papers. It also provides an excellent rubric for developing and organizing any type of essay, not just research papers. I first encountered this book as an undergraduate in it's fourth edition. I had previously used Coyle and similar books as required resources. Comparatively, Lester wins hand down because it is concise with good examples. Many editions later, in the world of electronic communications, Lester is still relevant as it has been updated to provide an accepted standard for citing electronic reference and Web sources. I have had to purchase three additional copies since my first, one for each of my sons. In fact I really need to get the most recent edition for my own use since my youngest will taking his copy with him when he heads off to college. This is a must have reference tool for any serious student and a good resource for the professional.

14 of 14 people found the following review helpful.
Lester & Lester, Jr's Writing Research Papers, 10th Ed.
By steuben
I've written both MLA and APA research papers, and now I teach research writing. THIS IS THE ONE. I use a textbook (usually focusing on Argument/Rhetoric) and Lester's as the reference. It provides a wealth of solid advice, examples, outlines, guides, visuals and Web site addresses. Even though this as an English course, practically none of my students are English majors... so why teach MLA only when they'll have to use APA (social sciences) or CBE (science majors) in the not too distant future? This book addresses that and includes CMS (Humanities, Fine Arts). The appendix is EXCELLENT with the locations of sources for multiple disciplines ranging from Anthropology to Women's Studies.
If your not an English major (and most aren't) and you want to learn research writing from source material to presentation style, this is the reference book.

13 of 13 people found the following review helpful.
Wish it was cheaper ):
By EC
I am a High School English teacher who has taught the research paper for 18 years. I have used this Lester book in 5 different editions over the years. I love this work, and think it is the best product out there for students, but the price has become prohibitive. I can no longer ask my students to buy their own copies. I wish there was a version at a more reasonable cost.

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Selasa, 01 Juni 2010

[Z816.Ebook] Download Ebook Introduction to Physics and Technology O, by Yuming Wang, Alfred Wagendristel

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Introduction to Physics and Technology O, by Yuming Wang, Alfred Wagendristel

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Introduction to Physics and Technology O, by Yuming Wang, Alfred Wagendristel

Based on lecture notes that have been used successfully by the authors for the past 10 years, with revisions made each year, this book is aimed at graduate students as well as professionals and researchers involved in thin film physics and technology. It is concise, comprehensive and well organized. The first part of the book introduces the concept, describes the various deposition procedures and illustrates PVD methods, evaporation and sputtering. The basic physical processes of film formation are then analyzed and formulated, including methods for monitoring and measuring film thickness. This book also shows how the subject matter connects with, relates and applies to other fields. In the second part of the book, 3 special topics — ferromagnetic films, diffusion in thin films and mechanical properties of thin films — are discussed.Given its wide scope, this book is relevant not just to those involved in materials science but also to engineers as well.

  • Sales Rank: #6717676 in Books
  • Published on: 1994-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 6.50" w x .50" l, .0 pounds
  • Binding: Hardcover
  • 160 pages

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